Minggu, 29 Juli 2012

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Shakespeare in Harlem : A New Volume of Poems, by Langston Hughes

  • Published on: 1942
  • Binding: Hardcover

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0 of 0 people found the following review helpful.
Cross in' ... A sad but good read
By Glowski
Good read of some of Hughes' lesser known works.

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Senin, 23 Juli 2012

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We Hate Tank Girl TP, by Alan Martin

  • Published on: 2010-12-28
  • Binding: Paperback

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1 of 1 people found the following review helpful.
A great old school collection of Tank Girl Snark
By Dog Breath
Tank Girl will kick you in the balls and make you like it!

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0 of 0 people found the following review helpful.
Tank Girl Lives!!
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I love Tank Girl! She has a crazy attitude but does show some very tiny soft spots in her personality. Funny, witty, stylish!! Anyway, i ordered some of the books that arrived in great condition. They arrived in the timeframe specified and i thoroughly enjoy them. I plan on continuing to add to the collection here and there when possible.

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Minggu, 22 Juli 2012

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A phenomenon of the pre-industrial age, the Sans-Culottes--master craftsmen, shopkeepers, small merchants, domestic servants--were as hostile to the ideas of capitalist bourgeoisie as they were to those of the ancien regime which was overthrown in the first years of the Revolution. Here is a detailed portrait of who these people were and a sympathetic account of their moment in history.

  • Sales Rank: #1538814 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 1981-02-01
  • Released on: 1981-02-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .80" w x 5.50" l, .93 pounds
  • Binding: Paperback
  • 279 pages
Features
  • Used Book in Good Condition

Review
"I know of no book as good as this that brings the revolutionary masses so vividly to light."--The New York Times Book Review

From the Back Cover
'This book is. . .concerned with the study of the all-important social force within the revolutionary process in France between 1793 and 1794, during the period of the Jacobin dictatorship of Public Safety, that is to say, with the Paris of the sans-culottes, organized in forty-eight sections.'

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9 of 12 people found the following review helpful.
The definitive account of the People in the French Revolution
By Amit Kumar Banerji
The French Revolution (1789-1799) was the defining moment of the modern history of the western world, indeed all humanity, its impact has been felt across every corner of the globe since that time. To some, it is associated not only with the start of the modern era in which we reside, but also with the rights of man, modern democracy, secularism & rationalism, for others, the followers of Edmund Burke and his reactionary ilk, it is the very abomination that has led to the masses questioning & rising against their "social superiors" and against the "natural" organic structure of society.
The French Revolution itself was high drama of epic proportions, as the Revolution went through various stages with increasing tensions and ferocity as the monarchies of Europe, initially pleased at the weakening of the Bourbons, became alarmed at the implications for their own survival and eventually ranged against the Revolution determined to defeat it and its incarnations, a conflict that would not end until the defeat of Revolutionary France in 1815 with the restoration of the Bourbons.
While the names of the galaxy of prominent revolutionary leaders, Mirabeau, Sieyès (the famous author of "What is the Third Estate?"), Brissot, Vergniaud, Pétion, Marat, Danton, Robespierre, Saint-Just, Couthon, Lepelletier Saint-Fargeau, François-Noël Gracchus Babeuf & Philippe Lebas are well-known, for a long time it was difficult to discern the thoughts and objectives of the "masses." Were the leaders truly in accord with them or did the concerns of the revolutionary masses diverge from their middle-class leadership in the Revolution, if it was indeed the "leadership" they accepted? In his ground-breaking work the sublime and simply brilliant historian Albert Soboul (incidentally, Soboul was the disciple of Georges Lefebvre) answers this question about a fascinating force in history, making their mark, at the most critical juncture of the French Revolution during Year II [of the Revolutionary Calendar] when Revolutionary France was on the brink of being overwhelmed by the counter-revolution. The San-Culottes were already on the verge of making their presence known when they were dealt a blow by the royalist reactionary Lafayette at the Champ de Mars Massacre. They were to return with a vengeance, as the war situation deteriorated, on the great journée of 10 August when the monarchy was finally overthrown. From that moment until 9 Thermidor of the Year II, no government in Paris could function without the support of the San-Culottes and considering the fact that it was that government, the National Convention in harmony with the Committee of Public Safety which remained unchanged from July 1793 to July 1794, which defended the Revolution at its most vulnerable the significance of the San-Culottes as a force in history gains immense currency. So who were the San-Culottes? They were certainly not an "embryonic" working-class, pre-figuring the industrial working classes, as some Marxist scholars tried to claim. Far from it, indeed the San-Culottes were not against property, they were property holders themselves. Their professions ranged from that of the ordinary journeyman, to shopkeepers, cabinet-makers and carpenters, to name but a few. And their professional designations could be misleading, the "carpenter" Maurice Duplay, who hosted the extremely popular Jacobin revolutionary leader Maximilien Robespierre (the "Incorruptible") in Paris, actually employed a number of journeymen himself and was quite well-off. The San-Culottes were certainly conscious, of what they wanted from the revolutionary regimes and were not beyond seizing what they demanded as just or overthrowing regimes that threatened to stray from the ideals and goals of the Revolution. They were for instance pivotal in the journées of May 31 - June 2, 1793 which overthrew the Gironde. The most visible manifestation of the San-Culottes was of course their clothing (hence the term "Sans-Culotte"), the almost obligatory Red Cap of Liberty & and their abhorrence of all things associated with the Ancien Regime and aristocracy. It was the San-Culottes who manned the dreaded Committees of the Sections of Paris. It was their support and demand for his elevation that ultimately propelled Robespierre (the politician they trusted & admired the most amongst the radical Jacobin revolutionaries of the middle-classes) to the Committee of Public Safety in July 1793 (along with politicians directly associated with the San-Culottes, such as Collot d' Herbois and Billaud-Varenne) and it was their co-operation which allowed the Revolutionary Government to conduct the defense of the Republic & carry out the Terror against enemies of the Revolution. At the height of their power & influence the San-Culottes had their own army for both anti-counter-revolutionary activities and ensuring vital supplies for Paris. Their influence began to wane with the purge of the Hébertists, which crucially weakened the independence of the Paris Commune and the National Guard. The confusion which ensued eventuallly led to a breech between the San-Culottes and the Revolutionary Government with Robespierre at its head. Thus on 9 Thermidor of the Year II the San-Culottes were almost indifferent when Robespierre was overthrown. They did regroup with the remaining Jacobins, once they realized their error, to attempt to take on the Thermidorians, but tragically, as with so many historical moments which hinge on critical timing, by then the revolutionary moment had passed and the San-Culottes were swept away in the days of Prairial of Year III ( May 1795). The San-Culottes had always had a very clear list of demands which they expected the revolutionary regime and its leaders to fulfill diligently and as expeditiously as possible. Direct democracy, the right to education for their children, economic controls, the right to recall representatives, to name but a few ideas, had been some of their fixed egalitarian demands from the revolutionary governments they supported. Very few revolutionary leaders of the middle-classes would have been willing (except for the truly radical Montagnards like Maximilien Robespierre, Louis Saint-Just, Jean-Paul Marat and François-Noël Gracchus Babeuf, in this regard it must of course be remembered that it was Saint-Just who was the author of the Laws of Ventôse), or able, to deliver on those demands, and thus a break in the relationship which was forged during the crisis of Year II was almost inevitable. A most fascinating historical work, about an amazing revolutionary force in history, standing on its own almost without comparison. This is essential for both scholars of the French Revolution & those wishing for a better understanding of the events that defined that revolutionary age.

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Rabu, 11 Juli 2012

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Stilling the Mind: Shamatha Teachings from Dudjom Lingpa's Vajra Essence, by B. Alan Wallace

In his previous book, The Attention Revolution, bestselling author Alan Wallace guided readers through the stages of shamatha, a meditation for focusing the mind. In Stilling the Mind, he uses the wisdom of Dzogchen--the highest of all the meditation traditions--to open up the shamatha practice into a space of vast freedom. Here, Wallace introduces us to Dudjom Lingpa's Vajra Essence, one of the most cherished works of the Nyingma school from which Dzogchen stems. With his trademark enthusiasm and keen intelligence, Wallace makes obscure concepts intelligible to contemporary readers and allows us to glimpse the profound realizations of a great nineteenth-century spiritual adept.

  • Sales Rank: #155339 in Books
  • Brand: Wallace, B. Alan/ Hodel, Brian (EDT)
  • Published on: 2011-08-16
  • Released on: 2011-08-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .75 pounds
  • Binding: Paperback
  • 224 pages

About the Author
Brian Hodel is a freelance journalist and book editor. He has collaborated with B. Alan Wallace on many books including Stilling the Mind, Embracing Mind, Dreaming Yourself Awake, and Contemplative Science.

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67 of 69 people found the following review helpful.
Ideal follow-up to The Attention Revolution
By K. Knox
Dr. Wallace's "The Attention Revolution" is the best guide to shamatha meditation I know of, offering an excellent overview of three important techniques, starting with mindfulness of breathing grounded in the Theravadin tradition and going on to two approaches from the Tibetan tradition that are infused with the flavor of Dzogchen.

"Stilling the Mind" goes into the second of the three techniques presented in the earlier book, resting the mind in its natural state, in great detail. This book is in the form of a translation of the root text by Dudjom LIngpa with an extensive commentary by Dr. Wallace. His writing here is so clear and personal you feel like you're being guided through the practice one-on-one by a master practitioner - which is exactly the case. The power and blessings of the original text are obvious from the outset, and Dr. Wallace's commentary is wonderfully lucid about fine points of practice I've never seen addressed before. A treasure for practitioners.

38 of 40 people found the following review helpful.
Stilling The Mind
By J. E. Bonarski
I have read most of the books Dr. Wallace has written and this was by far the best. He takes Dudjom Lingpa's teachings and paragraph by paragraph makes them real. If you practice Shamatha at all, this book is even better than his "Attention Revolution".

30 of 32 people found the following review helpful.
A dharma jewel
By Book Drawn
For those who have discovered the meditation techniques originally taught by the Buddha as laid out in the Anapanasati Sutra and the Sattipatana Sutra, Stilling the Mind will be a welcome discovery. The opening section of Vajra Essence by Dudjom Lingpa, a ninteenth centry monk, is translated here and Alan Wallace adds a commentary verse by verse to make the original work crystal clear. This is a valuable work for those perfecting shamatha, calm abiding, the prerequisite for effective insight (vipassana). For the Buddha, shamatha was the sine que non of true insight, and Alan Wallace has added to the treasury of this great method by bring us the Stilling Mind. We can only hope he will in the future bring us a translation of the rest of the Vajra Essence with his commentary.

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Selasa, 10 Juli 2012

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Alla Prima: Everything I Know About Painting, by Richard Schmid

  • Sales Rank: #838249 in Books
  • Published on: 1999-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .75" h x 10.98" w x 8.86" l,
  • Binding: Hardcover
  • 193 pages
Features
  • Missing dust jacket, has underlining throughout but still a good copy.

Most helpful customer reviews

84 of 87 people found the following review helpful.
SIX STARS! Learn how to observe and to do DIRECT PAINTING
By Inti Cristobal Santamaría Bolaños
I can hardly praise this book enough. It is full of experience and concrete knowledge.

The text is made of 10 chapters, plus an introduction:

1. Good ideas and free advice

2. Direct painting

3. Starting

4. Drawing

5. Values

6. Edges

7. Color and light

8. Composition

9. Technique

10. The magic

It has 193 pages, and is full of Schmid's paintings, almost all of them oils.

WHAT THIS BOOK TEACHES YOU:

It teaches you how to OBSERVE 3-D REALITY AND TRANSLATE IT ON A FLAT SURFACE AS DIRECTLY AS YOU CAN. The way of achieving it is to paint LIGHT ITSELF (what you see), not the very object with descriptive minutiae (what you know). Meticulous and painstaking painting tends to be naive in most hands.

Schmid asks you to clear up your mind and trust your instinct. THE HOW BECOMES OBVIOUS ONCE YOU UNDERSTAND THE WHAT AND THE WHY.

Some of his most insistent advices are: keep it SIMPLE; don't overwork; don't use ostentatious techniques; don't make random guessing brushstrokes; do a minimum of trial and error (correction wastes time); rather be BOLD than shy, but do it without hurrying and without any thoughtless bravado. Also, EXCESSIVE BLENDING IS LIKE MUMBLING WHEN YOU SPEAK.

He teaches you that, as you start, you sholud focus on one specific problem. Set a GOAL and do it in the time available. Limiting your time helps to SIMPLIFY your works. SIMPLIFY values by SQUINTING. If edges remain sharp when you squint, paint them sharp; if they go fuzzy, paint them fuzzy. Trust your squinting.

Schmid insists on the fact that, unlike common belief, most mistakes happen with drawing, not with colour. He says there is no comprehensive colour law; but there's something close to it: COOL LIGHT PRODUCES WARM SHADOWS, AND WARM LIGHT PRODUCES COOL SHADOWS. His palette has as many as 12 colours, not one more, because more than that is unnecessary (and often, the fewer colours, the better), as we can see in the colour charts--a perfect way of mixing all colours with one another until exhasusting all possible combinations of two colours plus white. (Besides, don't overmix, or else you'll obtain MUD colour.)

He recommends: Cadmium Yellow Pale, Cadmium Lemon, Cadmium Yellow Deep, Yellow Ochre Light, Cadmium Red, Terra Rosa, Alizarin Crimson, Transparent Oxide Red, Viridian, Cobalt Blue Light, Ultramarine Blue Deep, Titanium White. There is no black, since he uses different mixtures of browns or reds with blue for getting a substitute for black.

He says what good lighting is for painting.

His ideas about colour harmony and composition are very down-to-earth and full of common sense. No mystic babblings or over-intelectualized theories.

WHAT THIS BOOK DOESN'T TEACH YOU:

It doesn't deal with technical intricacies about different kinds of canvases, papers, grounds, turpentine, brushes, easels, palettes, and materials in general. (Pigments do have his full attention.)It doesn't ignore technique, but it's not the core of the text. (For that subject, you can read Ralph Mayer's book on materials.) Since the book deals with painting in general no matter what medium you use, it doesn't speak about classical Old Master examples (no Leonardo, Velázquez, Rembrandt, Hals, Rubens or any painter in particular). You can apply the lessons to oils, acrylics, tempera, gouache, or even watercolour. By the way, there's a very brief part about using the palette knife, which obviously couldn't be applied to watercolour, for instance. Since the book focuses on Direct Painting the way Sorolla, Sargent or many late-19th century arists did (without mentioning them much), you will find no details about Renaissance or Baroque ways of applying paint. There are not many words about glazing, for instance. There are no words about perspective or anatomy, either, for this is not a handbook for painting specific subjects, but about how to observe light and colour in general.

I love this book! Had I found and read it a long time ago, I wolud have saved years of an agonizing, careless and method-less hit-and-miss process that had no sense at all in my learning.

Schmid has a very specific method. Maybe it's not meant for all painters, but if you love Sorolla or Sargent, this is THE METHOD for you, no matter whether you are a mere beginner or an experienced artist. And even if you aim at a very different style than that of the artists just mentioned, this book can help you a lot. Trust me!

(By the way, Schmid gives very good advice at his site: [...]

27 of 27 people found the following review helpful.
Save Money
By Painter Dude
This is a great book which I refer to repeatedly. BUT, I bought it used at Amazon for a rip-off price. Lots of people are complaining about the high price, so do yourself a favor and google his name to go to his web-site. Much cheaper there!

12 of 15 people found the following review helpful.
...
By K. Dodd
Every artist or artist wannabe needs to read and look at absolutly everything they can on the process of making art. Sometimes, more importantly, one must explore the process of "thinking art." To read Richard Schmid is to explore one's own abilities and talents with an extrodinary guide mapping out the directions. Reading this book can lead to much self discovery and challange even those who know their direction in the art life. Philosophies and debates arise by both reading Schmid's words and looking at his incredible artwork. The freedom with which he expresses beauty goes beyond the brush. Yes, I recommend this book to all who wish to really produce art that is from the soul and looked at through trueful eyes.

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Kamis, 05 Juli 2012

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Brass In Pocket, by The Pretenders

Digital Sheet Music of Brass In Pocket

Performed by: The Pretenders

  • Released on: 2013-04-25
  • Format: Kindle eBook

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Senin, 02 Juli 2012

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Elements of Art, by Richard Pumphrey

  • Sales Rank: #1252102 in Books
  • Published on: 1996-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 8.50" w x .75" l,
  • Binding: Paperback
  • 8 pages

From the Publisher
Informal in style, this basic introduction to art and design takes a common-sense approach to both two- and three-dimensional design and art--with an emphasis on the equal merits of various art forms, styles, and media. It contains over 275 black and white and 25 4 color illustrations.

From the Back Cover
Creates a common level of understanding about what art is and can be. Vocabulary is introduced in a logical flow and a criticism chapter provides students confidence to evaluate their own works as well as those of others.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Each section is filled with questions that will be excellent sources of discussion as projects are introduced
By kaycee reed
I am loving this book. As a future educator, it is incredibly helpful. Each section is filled with questions that will be excellent sources of discussion as projects are introduced. At the end of certain chapters projects based on the reading are available. I recommend buying this book, not simply renting it.

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