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“Superb. Vetter’s incisive introduction offers one of the first approaches to theorizing women’s late modernist literary production as advancing specifically hybrid works located at the juncture of personal, national, and nationalist concerns.”—Cynthia Hogue, coeditor of The Sword Went Out to Sea
“This edition, with its finely written introduction and meticulous annotation, opens up new understandings of H.D., the major modernist writer, as she meditates, postwar, on the inner life of Shakespeare, the icon of English literature, and on the women missing from his plays. A beautiful and thoughtful book.”—Jane Augustine, editor of The Gift and The Mystery
H.D. called By Avon River “the first book that really made me happy.” In this annotated edition, Lara Vetter argues that the volume represented a turning point in H.D.’s career, a major shift from lyric poetry to the experimental forms of writing that would dominate her later works.
Near the end of World War II, after having remained in London throughout the Blitz, H.D. made a pilgrimage to Stratford-upon-Avon, Shakespeare’s birthplace. This experience resulted in a hybrid volume of poetry about The Tempest and prose about Shakespeare and his contemporaries. Featuring a tour-de-force introduction and extensive explanatory notes, this is the first edition of the work to appear since its original publication in 1949.
Increasingly after the war, H.D. sought new forms of writing to express her persistent interests in the politics of gender and in issues of nationhood and home. By Avon River was one of her only postwar works to cross over to mainstream audiences, and, as such, is a welcome addition to our understanding of this significant modernist writer.
- Sales Rank: #2832832 in Books
- Published on: 2014-08-26
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .56" w x 5.98" l, .0 pounds
- Binding: Hardcover
- 192 pages
Review
“Vetter’s new introduction, notes, and glossary provide an invaluable guide to the writer’s historical and literary references without miring the text in the kind of pedantry and dry intellectualism its author so disliked.”—Times Literary Supplement
“Highly recommended.”—Choice
About the Author
H.D. (born Hilda Doolittle, 1886–1961) was an American expatriate writer whose work exerted enormous influence on modernist poetry and prose. Lara Vetter is associate professor of English at the University of North Carolina at Charlotte and author of Modernist Writings and Religio-scientific Discourse: H.D., Loy, and Toomer.
Most helpful customer reviews
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This would be a great introduction to a survey of troubadour writing
By M. Corey
A book in two parts: first, a semi-long poem called "Claribel" that gives an imaginary context to the female character who gets all but one offhand mention in The Tempest - as a daughter who's sole role was a gift to a foreign king. Helda gives her a purpose, a story, and dares to glance at the thoughts or inspiration behind her the writer who invented her.
Then, "Claribel" suddenly ends and an exploratory essay about pre-, post- and Elizabethan drama and poetry begins. The essay is informative, but it is also creative - by giving relational info about Ben Johnson, Christopher Marlowe, John Ford, George Herbert, Shakespeare, John Fletcher, Michael Drayton and many more. She quotes the stronger points of each, points out flaws as well as merits, and once again, dares to contextualize Shakespeare, give him the body that no informative biography really can.
This would be a great introduction to a survey of troubadour writing, a companion piece to Eliot's essays about Elizabethan drama, and just for "Claribel" alone. I always found H.D. a little hard to penetrate, but there is a softness and imaginative quality (and a little more daring) than the imagist/Pound-like poems that are in the New Directions selected.
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