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Hustle, by David Tomas Martinez
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"David Martinez is like an algebra problem invented by America—he's polynomial, and fractioned, full of identity variables and unsolved narrative coefficients. . . . Hustle is full of dashing nerve, linguistic flair, and unfakeable heart."—Tony Hoagland
The dark peoples with things:
for keys, coins, pencils
and pens our pockets grieve.
No street lights or signs,
no liquor stores or bars,
only a lighter for a flashlight,
and the same-faced trees,
similar-armed stones
and crooked bushes
staring back at me.
There is no path in the woods for a boy from the city.
I would have set fire to get off this wilderness
but Palomar is no El Camino in an empty lot,
the plastic dripping from the dash
and the paint bubbling like a toad's throat.
If mountains were old pieces of furniture,
I would have lit the fabric and danced.
If mountains were abandoned crack houses,
I would have opened their meanings with flame,
if that would have let the wind and trees lead my eyes
or shown me the moon's tiptoe on the moss—
as you effect my hand,
as we walk into the side of a Sunday night.
David Tomas Martinez has published in San Diego Writer's Ink, Charlotte Journal, Poetry International, and has been featured in Border Voices. A PhD candidate at the University of Houston, Martinez is also an editor for Gulf Coast.
- Sales Rank: #874940 in Books
- Published on: 2014-05-13
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x 6.00" w x .50" l, .40 pounds
- Binding: Paperback
- 84 pages
From Booklist
In his debut poetry collection, Martinez translates the unique nature of his autobiography with an acute ear for rhythm, transporting readers from barrio alleyways to the shipyards of San Diego to the halls of Houston academia, broaching such topics as young fatherhood, gang life, and stereotypical masculinity with refreshing candor and linguistic savvy. In the same breath, Martinez allows his poetic speakers to address adolescent slap boxing and Mayan athleticism, rare-book collecting and small-time drug dealing. By turns acoustically playful (“the kicking of her feet / makes the splayed sheets shake”) and profoundly honest (“childhood is a form of taxidermy”), Martinez creates a hybrid universe in which T. S. Eliot and Emily Dickinson drink malt liquor. From the tattoos of gangbanging brothers to the spiked fruit of canyon cacti, Martinez revels in the extraordinary contradictions that arise when poetry arrives stomping, chanting, and slinging urban grit against the polished facade of the ivory tower. A necessary addition to Chicano, Latino, and American poetry alongside writers Rodney Gomez, Laurie Ann Guerrero, and Rosebud Ben-Oni. --Diego Báez
Review
“Questions of masculinity and power run throughout, and the poems feel simultaneously intimate and spectacular as the voice strikes registers of vulnerability and bravado. For all the narratives of strife the collection contains, Martinez’s poetics are anything but grim. Rather, there is a delight in language play and a lexicon that spans slang to theory.”
—Publishers Weekly
“This debut by Martinez reveals a young poet who combines the kinesthetic energy of swift movement with the quick anticipation of one whose continued survival depends largely on his ability to act. . . . This first collection serves youth, and, as with many such books, this reviewer is curious to know what Martinez’s poetry might look like once the summer of 1994 is as stale as the summer of 1969, and awaits with interest the kind of world Martinez writes once school is out for good.”
—Library Journal
“In his debut poetry collection, Martinez translates the unique nature of his autobiography with an acute ear for rhythm, transporting readers from barrio alleyways to the shipyards of San Diego to the halls of Houston academia, broaching such topics as young fatherhood, gang life, and stereotypical masculinity with refreshing candor and linguistic savvy. . . . A necessary addition to Chicano, Latino, and American poetry.”
—Booklist
"Wild syntax dances between enchanted frogs and border crossing, and between the mystery of life and the mystery of recounting it. "The world brims with signs," Martinez writes, and in his hands the landscape of the past keeps being open to rereading....There are many raw and rich moments in this book.... Perhaps there is no way to make grief into a diamond. But Martinez has made something rare, and living, and glittering nonetheless."
—NPR, "All Things Considered"
“Growing up in a broken home, living in a barrio, and joining a gang did not stop Martinez from transcending the low expectations of his troubled youth. The current Ph.D. candidate nurtured those raw experiences into sophisticated material that informs his startling poems.”
—BuzzFeed, “The 14 Must-Read Works of Chicano Literature”
About the Author
David Tomas Martinez: David Tomas Martinez has published in San Diego Writer's Ink, Charlotte Journal, Poetry International, and been featured in Border Voices. A Ph.D. candidate at the University of Houston, Martinez is also an editor for Gulf Coast.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Reads like poems, feels like story
By Alegra Loewenstein, Health Coach
This is a book of a poems that tells a story about the author's life. As poems do, it glimpses here and shares thoughts there and reveals feelings elsewhere. But these pieces come together to show you the life this man has lived and where he has gone and how he has navigated through a rough and tumble southern california life and what role his family and adventures have played.
The unique thing about this book is how it takes you to a place. The feeling after reading these poems is a bit of "I've just read a story" versus "I've just read a poem". I like this about it, because while you are reading you it you can enjoy the world play and layers, but afterward you can think of it like having taken a trip and met an interesting person.
1 of 1 people found the following review helpful.
Raw, Gritty, Unique.
By Frannie Cheska
His poems were so good and easy to relate to. It took me back to so many times in my life where i experienced similar events. Maybe not as graphic but definitely similar. through a discussion, I heard some people say that he wasn't credible. How much of this is real and how much is not? Does it really matter though? I mean it's poetry, the point to me is, did you feel it? I dont really understand the concept of doubting a poet or questioning the authenticity of a poem. Martinez's poems were raw, gritty, unique, and they made me feel. I was satisfied and full of excitement when I finished. Look forward to more.
0 of 0 people found the following review helpful.
Next gen. Poet.
By Donald J. Manson
Thomas is a very talented young man. He describes things in life we don't want listen to in a way we can't resist. His messages are very worth while. djm
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